That political worldview is personified by Palantir chairman Peter Thiel, whose quote closes the show: "I no longer believe that freedom and democracy are compatible."

The Visuals: How the Show Satirizes Palantir in Real Time

Massive Attack developed the show's anti-Palantir centerpiece with London-based collective United Visual Artists, marking a new collaboration in the band's long history of politically charged stage design. The experience is built around a series of escalating visual provocations:

• Facial-recognition scanning of the crowd: Custom-made facial recognition software scans the audience in real time, locking onto individuals and pulling their faces onto the venue's screens. At Primavera Sound Barcelona on June 4, the system was planned for a crowd of 75,000. Faces are labeled with satirical descriptors like "11 weeks no time off, burnout" and "unfinished books," turning surveillance into dark comedy.
• Palantir Gotham-style interface: A visual element mimics how Palantir's real "Gotham" monitoring and decision-chain interface might look when it identifies and evaluates targets, landing on groups and individuals with implied consequences.
• Satirical kanban kill chain: A fictionalized data-dashboard character cheerfully adds targets to a "kanban kill chain," complete with a right-click to add to the target list and a double-click to kill—a grim gamification of real-world lethal targeting workflows.
• Global investment map: As the song "Girl I Love You" ends, the screens display a globe with cities labeled by their respective financial investments in Palantir, visualizing the company's economic footprint.
• Closing Thiel quote: The show ends with the attribution of the quote above to Palantir's chairman.

The two-hour set also includes video segments from filmmaker and regular collaborator Adam Curtis, weaving the Palantir critique into a broader tapestry of political and historical documentary imagery. Curtis has worked with the band on tour visuals before, with previous collaborations described as storytelling about "a strange backward-looking world, enclosed by machines that read our data and predict our every move."

The Organizations Named on Stage

The band explicitly highlights Palantir's client list during the show. The named organizations include:

• The US military
• The Israeli military
• ICE (US Immigration and Customs Enforcement)
• The FBI
• The NHS (National Health Service of the UK)
• The Metropolitan Police (whose Palantir contract was blocked by London mayor Sadiq Khan in May 2026)

The Wider Grassroots Campaign Against Palantir

Massive Attack's stage protest does not exist in a vacuum. It lands in the middle of a 2026 grassroots opposition movement targeting Palantir across multiple countries.

In the United States, City Journal reported a "multicity campaign led by far-left activists" portraying Palantir as central to immigration enforcement, military operations, and Israel's war in Gaza, with sustained protests in Denver, Minneapolis, and South Florida. In March 2026, ACT UP New York led hundreds of protesters to Palantir's unmarked Manhattan office, staging a die-in to oppose the company's military AI contracts and ICE partnerships. Bay Area activists including Our Revolution have protested at Palo Alto headquarters, citing the firm's heavy reliance on government contracts. Groups such as the Raging Grannies and Mijente have also joined demonstrations calling for the company to "lay down AI arms" and halt mass surveillance. In the UK, senior health workers within the NHS have publicly described Palantir as "evil" and opposed the company's access to patient data.

The campaign shares DNA with earlier anti-Lockheed Martin activism and overlaps with Massive Attack's own history—the band previously pulled their catalog from Spotify in protest over CEO Daniel Ek's investment in military-AI firm Helsing, and released the track "Boots on the Ground" with Tom Waits focused on opposition to ICE raids and the militarization of domestic policing.

2026 Tour Dates: Where to See the Show

Massive Attack's 2026 itinerary spans Europe, Asia, and Australia, with no North or South American dates announced as of June 2026.

European Leg (May–June 2026)

The European leg consists of five headline shows plus the Primavera Sound slot.

Asia Date (July 2026)

Australian Leg (August 2026)

The Australian dates mark the band's first headline shows in the country in 16 years. Tickets for the Australian leg went on sale June 5, 2026, with a Frontier Member presale the day before.

That political worldview is personified by Palantir chairman Peter Thiel, whose quote closes the show: "I no longer believe that freedom and democracy are compatible."

The Visuals: How the Show Satirizes Palantir in Real Time

Massive Attack developed the show's anti-Palantir centerpiece with London-based collective United Visual Artists, marking a new collaboration in the band's long history of politically charged stage design. The experience is built around a series of escalating visual provocations:

• Facial-recognition scanning of the crowd: Custom-made facial recognition software scans the audience in real time, locking onto individuals and pulling their faces onto the venue's screens. At Primavera Sound Barcelona on June 4, the system was planned for a crowd of 75,000. Faces are labeled with satirical descriptors like "11 weeks no time off, burnout" and "unfinished books," turning surveillance into dark comedy.
• Palantir Gotham-style interface: A visual element mimics how Palantir's real "Gotham" monitoring and decision-chain interface might look when it identifies and evaluates targets, landing on groups and individuals with implied consequences.
• Satirical kanban kill chain: A fictionalized data-dashboard character cheerfully adds targets to a "kanban kill chain," complete with a right-click to add to the target list and a double-click to kill—a grim gamification of real-world lethal targeting workflows.
• Global investment map: As the song "Girl I Love You" ends, the screens display a globe with cities labeled by their respective financial investments in Palantir, visualizing the company's economic footprint.
• Closing Thiel quote: The show ends with the attribution of the quote above to Palantir's chairman.

The two-hour set also includes video segments from filmmaker and regular collaborator Adam Curtis, weaving the Palantir critique into a broader tapestry of political and historical documentary imagery. Curtis has worked with the band on tour visuals before, with previous collaborations described as storytelling about "a strange backward-looking world, enclosed by machines that read our data and predict our every move."

The Organizations Named on Stage

The band explicitly highlights Palantir's client list during the show. The named organizations include:

• The US military
• The Israeli military
• ICE (US Immigration and Customs Enforcement)
• The FBI
• The NHS (National Health Service of the UK)
• The Metropolitan Police (whose Palantir contract was blocked by London mayor Sadiq Khan in May 2026)

The Wider Grassroots Campaign Against Palantir

Massive Attack's stage protest does not exist in a vacuum. It lands in the middle of a 2026 grassroots opposition movement targeting Palantir across multiple countries.

In the United States, City Journal reported a "multicity campaign led by far-left activists" portraying Palantir as central to immigration enforcement, military operations, and Israel's war in Gaza, with sustained protests in Denver, Minneapolis, and South Florida. In March 2026, ACT UP New York led hundreds of protesters to Palantir's unmarked Manhattan office, staging a die-in to oppose the company's military AI contracts and ICE partnerships. Bay Area activists including Our Revolution have protested at Palo Alto headquarters, citing the firm's heavy reliance on government contracts. Groups such as the Raging Grannies and Mijente have also joined demonstrations calling for the company to "lay down AI arms" and halt mass surveillance. In the UK, senior health workers within the NHS have publicly described Palantir as "evil" and opposed the company's access to patient data.

The campaign shares DNA with earlier anti-Lockheed Martin activism and overlaps with Massive Attack's own history—the band previously pulled their catalog from Spotify in protest over CEO Daniel Ek's investment in military-AI firm Helsing, and released the track "Boots on the Ground" with Tom Waits focused on opposition to ICE raids and the militarization of domestic policing.

2026 Tour Dates: Where to See the Show

Massive Attack's 2026 itinerary spans Europe, Asia, and Australia, with no North or South American dates announced as of June 2026.

European Leg (May–June 2026)

The European leg consists of five headline shows plus the Primavera Sound slot.

Asia Date (July 2026)

Australian Leg (August 2026)

The Australian dates mark the band's first headline shows in the country in 16 years. Tickets for the Australian leg went on sale June 5, 2026, with a Frontier Member presale the day before.